Ellen Denham to direct 2013 Umbrella Project
We are very excited to announce that Ellen Denham will be the 2013 director for our Unbrella Project. Ellen has participated in Indy Convergence several times creating hilarious, creative and always highly collaborative pieces like short play “The Singing Dog”, a interesting twist on “Peter, Peter Pumpkin Eater” and her woman loves lobster-man tale “Homo Homarus”. Below she explains her project and what she hopes to accomplish this year. We’re sure it will be a wonderful collaboration and can’t wait to get started! You can see what develops at our Open Lab performance on June 1, 2013 at Wheeler Arts Community in Fountain Square.
“The project involves an exploration of “Othernessâ€”” how we define, judge, and often
stereotype those whom we perceive to be not like us in some way. In a call for papers on the web site of the Centre for Studies in Otherness at Aarhus University in Denmark, Maria Beville writes:
‘Otherness is complex and multivalent term. Otherness is defined by difference, both
via outside markers and internal characteristics. Otherness is also a means by which we define ourselves. Thus the concept is inevitably bound with conceptions of selfhood, making it fundamental for discussions of subjectivity, social, cultural and national identity, and larger discussions of ontology. In light of more recent theory and criticism,the assumed line between the self and the other, the defining boundary of identity construction, is blurred, and as such the entire concept of otherness has become intricateand problematic. It is this concept, otherness, in all of its complexities and nuances that we seek to explore and discuss through Otherness: Essays and Studies. (http://www.otherness.dk/news/announcements-autumn-winter-2012/)’
Convergence participants will come up with their own experiences with Othernessâ€”either something they have personally experienced or something they have seen or heard about, which will be developed into short scenes.
The piece will incorporate musical improvisation with voices, whatever instruments the participants may have, and “found instruments” such as used last year in Tina Chancey’s film score piece. To encourage the importance of sound, a hierarchy will be used that gives singing or Sprechstimme and ambient sung/played sound preference over spoken word. This does not mean that there can be no spoken text, but participants will be encouraged to consider musical alternatives to speech. Movement improvisation and movement phrases will also be used.
The final scene will depict a battle between humans and blobs as an allegorical representation of the Other. Half of the participants will be closed up in fabric bags (this is an idea I got from choreographer Kirstie Simson in “COLAB” class) and represent “blobs” while the other half represent humans. We will explore movement in the bags and develop movement patterns that look non-human or do not read as normal human locomotion. Who will win? What will the final outcome be? This is to be determined by the participants!
This project will be a collaborative effort between all participants using their skills and areas of expertise (dance, acting, music, etc.). It draws upon and is inspired by my participation in the Indy Convergence for the past four years. I plan to use the experience as part of an Independent Study for my doctorate in music at the University of Illinois. I’m thrilled to be returning to the Convergence to direct the Umbrella Project!”